Editing II 08/08/2008
 

I've got 18 silent rough cut minutes done. This version looks to be about thirty. I'm scared to actually go back and look at what I've done - I'm just tacking one scene to the next. There has been some nice surprises regarding how shots fit together and I've made a number of productive discoveries. My biggest concern is tone: it bounces between depression, elation, anxiety, etc constantly. How do I make it all feel organic and unified, especially with so many different aesthetics? I'm just going to get to the end of this cut, then see what I've got.

 


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